The Commons offers exhibition spaces for Outer Cape artists to show their work. We also host a variety of community events and classes that we invite all of you to attend. To keep updated on future events at The Commons, please join our mailing list or scroll down to see what is happening.
UPCOMING art shows & HAPPENINGS
YEARLY CALENDAR OF EVENTS
Staying true to the building's history, The Commons hosts a variety of classes and workshops for artists, entrepreneurs, and locals alike. Topics range from marketing and graphic design workshops, to artist professional development series, to civic engagement panels. The Commons programming is open to all in an effort to establish a nexus for creative collaboration and economic development.
VARIATIONS ON A THEME
VARIATIONS ON A THEME
Curated by Michelle Pepitone
On Exhibit: November 12 - November 24
Opening Reception: November 15 from 5 - 8 PM
Closing Reception:
VARIATIONS ON A THEME
Curated by Michelle Pepitone
Spanning his early beginnings in Provincetown to his last months in his studio at the Commons, this retrospective is a tribute to the life’s work of Richard Pepitone. Its focus will be on the major artistic themes of his five-plus decades as a Cape Cod artist and his rare ability to borrow imagery from his past work and shape it into something new.
Given Pepitone’s longtime connection to the Beachcombers Club, it make perfect sense that this retrospective will run in conjunction with a show featuring numerous Beachcombers artists. The open-themed Beachcombers show is curated by Robert Longley and Stephen Wells and features works from various Beachcombers all of whom were close friends of Pepitone.
The title “Variations on a Theme” originated with the artist, who over the years named several of his pieces “Variation on a Theme.” Pepitone did not like to waste anything, including ideas. His proclivity to revisit and repurpose former artistic concepts was in part due to his Depression-era childhood but was also the result of his insatiable curiosity and his unrelenting drive to constantly create.
Always looking at the world with the fresh eyes of discovery, Pepitone would inevitably see some new angle or element that previously went unnoticed. He would then borrow the principal concepts and core foundational images from this past work and incorporate them into a new concept, thereby transforming the familiar into something new.This upcoming show–titled “Variation on a Theme”–is a retrospective tribute to the life’s work of Richard Pepitone. The focus will be on the major artistic themes of his five plus decades as a Cape Cod artist and his unique ability to borrow the imagery of his past work and to mold it into something new.
BACKGROUND
Within two years of his arrival in Provincetown, Richard Pepitone had discovered the Beachcombers, one of the country’s oldest continuous art colonies. The year was 1971 and the union between Pepitone and this prominent Provincetown art institution, would forever alter his life and art over the decades that followed.
For the five plus decades that Pepitone was a Beachcomber, he held many different roles, including skipper and cabin boy, as well as mentor and apprentice. He formed countless collaborations with other members, creating a vast network of fellow artists, collectors, and friends whose tendrils ran up and down the Cape and beyond.
A source of constant inspiration, the Beachcombers proved to be as critical to Richard’s evolution as an artist as it was to the establishment of Provincetown as an artists’s community. Whenever he wanted to try something new or brainstorm, all that he had to do was to walk down to the old building that was once a sail and rigging lot, and there over countless Saturday night dinners and community celebrations, he would find what he was looking for or discover something new.
The collaboration between Pepitone and the Beachcombers has not only transcended time but also generations. Today, Pepitone’s daughter, Michelle, has both maintained and cultivated close ties with many Beachcombers, all of whom have been instrumental in her efforts to keep her father’s artistic legacy alive.
“It is hard to imagine my father’s life in Provincetown without the Beachcombers,” writes Michelle Pepitone. “The club anchored my father in a way that only the closest family can. It was (and is) a mutually beneficial relationship that has not only defied time but also death itself.”
At the heart of this show, is the life’s work of Richard Pepitone. Almost all of the mediums that he worked with will be on display and most pieces will be for sale. Integrated within the show, will be several portraits of Pepitone done by other artists.
”Variations on a Theme” will take place in the Commons Community Room and the Beachcombers’ show will occupy the Exhibition Hall. There will be a joint opening on Friday, November 15th from 5PM-8PM, where you will be invited to celebrate the artwork of this prominent Provincetown artist and so many of his Beachcombers friends.
THE BEACHCOMBERS
Two years after the founding of the Provincetown Art Association, a group of men, mostly artists, met the summer of 1916 in a small building on what was then Knowles Wharf and The Beachcombers was established as a social club.
Today, The Beachcombers meet in what was once a sail and rigging loft on a wharf at the foot of Bangs Street, which they bought in 1918.
So who are the Beachcombers? Think: Century Association and Skull & Bones — in a camel costume. That is, an arts organization that takes its mission and itself quite seriously, but that can’t help indulge sometimes in hijinks that would have been more or less appropriate for a boys’ summer camp. It is no coincidence that it was founded two years after the Provincetown Art Association across the street, and by many of the same people. As the art colony grew in the early 20th century, it needed both a place to exhibit its work seriously and a place to fraternize privately. Its 1916 constitution said its purpose was “to promote good fellowship among men sojourning or resident in or about Provincetown who are engaged in the practice of the fine arts or their branches” or “who are intimately connected with the promotion of the fine arts” — defined to mean painting, etching, engraving, sculpture, architecture, designing, illustrating, writing, music and acting. Officers, committees and events were given maritime names.
RICHARD PEPITONE
Born in Brooklyn in 1936, Richard Pepitone was the quintessential self-made artist. He did not come from an artistic background, far from it in fact, but that didn’t matter, Richard was a natural talent, that that rare breed of artist who neither needs formal training nor cultivation by outside influences to achieve artistic mastery.
At age 20, he became an apprentice to sculptor Alfred Van Loen in Greenwich Village and when he had soaked up all of the knowledge and wisdom of his teacher, he then opened his own studio in the East village. Ambitious and restless, and always eager to improve, he traveled to Florence, Italy and returned with a newfound understanding of cast bronze and carved stone.
He then returned to New York, got married and eventually settled down in Provincetown, MA, whose rolling dunes, expansive seaside and openminded locals quickly claimed him as their own. On Cape Cod, the man and his art were constantly evolving and his artwork seemed to be in a state of constant motion and flux.
Always searching for a new form of artistic expression, Richard worked in just about every conceivable medium, moving from one to the other, with the confidence and ease of the familiar. While sculptural representation of the female form was a favorite theme that he would always return to–one that he perfected in marble, bronze, ceramic and resin (among others)– this was not his only source of inspiration. He made stained glass panels of wild animals, ceramic bowls reminiscent of the ancient cave dwellings of Lascaux, and wooden oars that became an homage to the town and its Portuguese settlers. He twisted castaway pipe and altered copper vessels found in thrift stores, seeing beauty in the discarded and function in the broken.
And when his body was no longer able to keep up with his always eager, always hungry, always yearning youthful mind, he returned to a medium that he could do anywhere and anytime–drawing, printing and painting. He enjoyed this simple and often solitary form of expression until his very last days, creating gorgeous one of a kind monoprints on wood and paper, and stunning limited series lithographs.
Drawing for a Sentence
122 Days records a silent conversation in art and sentences that took place over 122 days in the summer of 2019 between Arizona artist Angela Rose and Massachusetts poet Mary Kane. After an initial exchange on a whim, Ms. Kane writes, "we decided to keep going for a week, with only a few basic rules. First, there could be no judgments, no 'I love it' or 'like it, no commentary whatsoever. In fact, other than exchanging sentences and drawings, we didn't communicate with each other. Second, the practice would occur daily, one drawing, one sentence. Either of us could work on our piece for as long as we wished on that day, but, finished or not, satisfied or not, at some point we had to press send."
WRAPPED IN ART BY DONNA MAHAN
WRAPPED IN ART BY DONNA MAHAN
On Exhibit: November 26 - December 8
Opening Reception: Saturday, November 30 from 4 - 6 PM
ARTIST TALK: Saturday, December 7th from 2 - 4 PM
Donna Mahan
WRAPPED IN ART
Mahan’s love of textiles and the sewing machine began with watching her mother make clothing for her 6 children. She delights in creating art with reclaimed textiles, not only to do her part for a healthier earth but for the uniqueness it brings to a completed piece of art. And the techniques I use can be endless such as layered fragments, paint, ink, plaster, wax, pins, staples, packing materials, rusty parts, wire mesh, and machine stitching. burning, wire brushes, and intricate hand stitching. These recreated fabrics translate into a collage of artistic creations used for one-of-a-kind remade garments and wall art.
YOU WILL BE WRAPPED IN ART
CHARGED ART BY JILL BENELLI
CHARGED ART BY JILL BENELLI
On Exhibit: November 26 - December 8
Opening Reception: Saturday, November 30 from 4 - 6 PM
Jill Benelli
Charged Art is created by running 12k volts of electricity through wood causing fractal images to be beautifully burned into one-of-a-kind art pieces. I'm a local Cape Cod gardener/farmer/waitress/artist out of Orleans. When I'm not Charging Art you'll find me hiking, road-tripping, or swimming with the seals on the Outer; and never without my best bud Boston Terrier, Pig.
CHARGED ART
Charged Art is created by running 12k volts of electricity through wood causing fractal images to be beautifully burned into one-of-a-kind art pieces. I'm a local Cape Cod gardener/farmer/waitress/artist out of Orleans. When I'm not Charging Art you'll find me hiking, road-tripping, or swimming with the seals on the Outer; and never without my best bud Boston Terrier, Pig.
OUTER CAPE ARTISTS OPEN CALL ART SHOW
Join us as we celebrate Outer Cape artists in our open-call winter show. Outer Cape artists can submit one piece. Membership is not required to participate. Images of artwork uploaded or emailed to us will be used for promotional materials to market this show. Work will be accepted if it follows submission requirements (see below).
SUBMISSION REQUIREMENTS:
Size: Two-dimensional work should not exceed 36”x 36". Three-dimensional work should fit within a 14 x 14” area or be ready to hang on the wall.
*Submissions exceeding these size requirements will not be accepted.
All art must come finished and ready to hang. Please fill out the registration form if you plan to participate. Artwork must have artists name and contact information attached to the back of the artwork. The Commons reserves the right to refuse work that is over-sized, improperly presented, or unsafe to hang. Sales will be directed to the artist. The Commons does not take any percentage of sales made.
HOLIDAY MAKERS MARKET
HOLIDAY MAKERS MARKET AT THE COMMONS
Saturday, December 14 & Sunday, December 15 from 10 AM - 2 PM
This holiday season, join us for a maker’s marketplace of artists fostering local hand-crafted items and inspiring community. There is currently an exciting resurgence in making that is both steeped in tradition and relevant today. The Makers Market intends to celebrate the culture of handcrafted, well-designed, long-lasting, and sustainable products that honor the ideals of craftsmanship here on the Outer Cape. Aspiring creative economy entrepreneurs - jewelers, textile artists, potters, sculptors, etc. - to showcase and sell their objects.
If you would like to participate in this year’s market please email *limited spaces available
HOLIDAY MAKERS MARKET
HOLIDAY MAKERS MARKET AT THE COMMONS
Saturday, December 14 & Sunday, December 15 from 10 AM - 2 PM
This holiday season, join us for a maker’s marketplace of artists fostering local hand-crafted items and inspiring community. There is currently an exciting resurgence in making that is both steeped in tradition and relevant today. The Makers Market intends to celebrate the culture of handcrafted, well-designed, long-lasting, and sustainable products that honor the ideals of craftsmanship here on the Outer Cape. Aspiring creative economy entrepreneurs - jewelers, textile artists, potters, sculptors, etc. - to showcase and sell their objects.
If you would like to participate in this year’s market please email *limited spaces available
THE THANKSGIVING PLAY
THE B PLOT READING PRESENTS THE THANKSGIVING PLAY BY LARISSA FASTHORSE
Wednesday, November 13 @ 7 PM
The Commons
FREE
In Larissa FastHorse’s The Thanksgiving Play, a troupe of white theatremakers in an unnamed American town attempt to devise a play about the holiday’s origins that will give due respect to the continent’s Native peoples, often erased by its celebration, and find their efforts thwarted by competing interests, creative differences, and crippling liberal guilt.
PIE FEST
THE COMMONS PIE FEST
SUNDAY, NOVEMBER 10 FROM 1 PM - 3 PM
AT THE COMMONS
Finish off this year’s Food & Wine Festival with the sweetest event of the year. Join us for our 3rd Annual PIE FEST, an afternoon that will leave you full. Hosts Delta Miles and Kristen Becker will be on hand to keep things sweet and yummy. Music by DJ Potato Salad, coffee by JOE Coffee, hot toddys, and so much PIE! Naya Bricher and Claire Adams, previous years winners, will be joined by James Beard award-winning chef Kelly Fields at the judges table.
The real winner is you! We promise you pie. Participating bakers will bake two pies, one for judging and one for auction. Slices from ANGEL FOODS, SALTY MARKET, POP & DUTCH, and some of our favorite local bakers will be available.
Don’t miss out on our SWEET SWAG!! This year, we have “OUR OWN LITTLE SLICE OF HEAVEN” TUMBLERS and the ANGEL SLICE LOGO BASEBALL CAPS.
OUTER CAPE ART COLLECTIVE'S SECOND EXHIBITON
Prompted! Second Annual Show of the Outer Cape Art Collective
October 29- November 10, 2024
Opening Reception: Friday November 1, 5-7 pm
Prompted! is the second annual show of the Outer Cape Art Collective (OCAC), a group
of artists, who came together during three years of learning from and experimenting with artists and educators Laura Shabott and Alana Barrett.
Members of the Collective present an exciting, diverse range of styles, inspired by the
prompts of their teachers and members, by the Outer Cape’s long tradition of
abstraction, its light and landscape, as well as by our travels, friends, and family.
Working together during the pandemic, most are now full-time artists who have
distinguished themselves in diverse professional lives, as doctors, architects,
journalists, scholars and educators, writers, and business leaders. All share a passion
for painting. Members of OCAC exhibit their work in galleries and shows nationally as
well as on the Outer Cape.
EVERYONE'S FORUM WITH RYAN LANDRY
It's Your Turn to Be Heard!
Join Us on Saturday, October 26th From 8–10 pm at the Provincetown Town Hall for Our Forum 24 Closing Event of the Season with Moderator Ryan Landry.
"The Conversation Continues" on October 26, with an open forum provoking community engagement in a discussion about the arts and beyond, will close out the series celebrating the 75th anniversary of Forum 49.
Throughout 2024, the Provincetown Art Gallery Association has honored the seminal Forum 49 by presenting a series of panels, exhibits, screenings, and performances/readings.
On Saturday, October 26th from 8–10 pm, Ryan Landry will reprise Forum 49’s key event at Provincetown Town Hall. To submit questions in advance of the event, please use this form.
Seats can be reserved in advance for a suggested donation of $24 or $49.
Forum 24 celebrates the 75th anniversary of the seminal Forum 49 presentation of emerging modern art - an event that changed the history of art in Provincetown and worldwide.
The Provincetown Art Gallery Association will mark the occasion with a summer of events designed to honor the original Forum and illuminate the connections between modern art and the cultural changes and artistic changes that still resonate in the world today.
Ryan Landry Panel Discussion: Everyone’s Forum
Presenter: Ryan Landry
Venue: Provincetown Town Hall
Date: October 26, 2024 at 8pm
Ryan Landry will reprise Forum 49’s key event, this time at Provincetown Town Hall: an open forum provoking community engagement in a discussion about the arts and beyond.
8mm BY JODY JOHNSON
Jody Johnson
8mm
On Exhibit: October 15 - October 27
Opening Reception:
This series is about vintage 8mm film projectors from the early 1940’s to 1970’s.
My process starts with going to tag sales, thrift shops, and estate sales to find these mechanical beauties from a bygone era that I can then repurpose into something new and exciting.
This series is something new for me. For over 20 years I have been making lamps with these similar items. I decided to change things up and turn these same types of items into flat wall art. The photos you see are the parts that I need to take out of the projectors in order for them to lay flat on the wall. Lots and lots of parts. Some come out with the removal of screws and nuts, and others I have to cut away with a hack saw. I have so much fun just trying to figure it out.
That wording around them is from the original manuals that came with the projectors. I do not print off the internet. If it’s not original I won’t use it. It is just not my style.
The bulbs I kept from the projectors that I had made into lamps over the years and since have sold them. Each projector comes with just one bulb. The bulbs are such art pieces I knew I would use them in some other projects someday.
I hope you enjoy the work as much as I do making it.
EYE TO I: PERSONAL EXCHANGES BY HEATHER BLUME
Heather Blume
Eye to I: Personal Exchanges
On Exhibit: October 15 - October 27
“Wherever I take my eyes, they always see things from my point of view” Ashleigh Brilliant
Whatever the medium, my artwork continues to be primarily related to people. Each person’s sense of self is unique and constantly evolving, shaped by our relationships with others and our own introspection.
In this series I explore inner and outer personal exchanges through painted portraits of myself and others. When beginning a portrait I have in mind what I think it will look like; it never ends up looking that way. Each sitting involves its’ own dynamic including persona, weather conditions, time of day, time of year, location, and much more. These influences are what I like most about working from life, the serendipitous nature of being in the moment. It may seem that the one constant is the artist but upon reflection I find the experience of self-portraiture to be just as multifaceted thus inspiring a number of double self-portraits as well as the more conventional single portraits.
I hope these paintings convey the complexity and fluidity of identity and invite viewers to reflect on their own sense of self and how it is intertwined with their perceptions of others.
Artist Bio:
Heather Blume first felt the call to become an artist in Provincetown, MA. There she was exposed to an art colony by the sea engaged in multiple ways of creating, teaching, and selling art. That impression inspired her to focus her art practice on drawing, sculpting, and painting narratives of human experience.
Blume graduated with a BFA summa cum laude in Painting from the University of North Florida and an MFA cum laude in Sculpture from the Graduate School of Figurative Art at the New York Academy of Art. She has been an Artist in Residence at the Vermont Studio Center, the Higgins Galley at the Cape Cod Community College, and at Edgewood Farm at Truro Center for the Arts. Blume’s artworks are in private collections and select sculptures are in the permanent collections of the Provincetown Art Association and Museum (PAAM), the Cape Cod Museum of Art (CCMFA), and the Cahoon Museum of American Art. Internationally, her sculptures are included in the permanent collections of the British Museum in London and the Royal Coin Cabinet of Sweden in Stockholm. She is a recipient of several art awards and grants some of which include the State of Florida, the Massachusetts Cultural Council, the Arts Foundation of Cape Cod, and the Vermont Studio Center.
She is a select member of the National Association of Women Artists (NAWA) , the American Medallic Sculpture Association (AMSA), the Federation Internationale de la Medaille d’Art (FIDEM), and is an Artist Member of the Board of Trustees of PAAM. Blume has been a professional artist, art educator, and lecturer for the past 30 years.
PERSISTERS BY JO HAY
PERSISTERS BY JO HAY
On Exhibit: October 15 - October 27
Opening Reception: Tuesday, October 15 at 2 PM
JO HAY
ABOUT THE ARTIST
Jo Hay is a contemporary British American portrait painter. Born in 1964 in Newcastle Upon-Tyne, England, she received her BA from Middlesex University, London, UK in 1983 and her MFA from the New York Academy of Art, New York, NY in 2012.
Hay received the Lillian Orlowsky and William Freed Foundation Grant 2010 sponsored in part by the Provincetown Art Association and Museum and was the recipient of the New York Academy of Art Portrait Scholarship 2011. Her portrait from the Benders series entitled Dodger was a semi-finalist in the BP Portrait Award 2015 at the National Gallery in London and was a finalist in Art For Freedom A Global Initiative curated by Madonna.
Hay was a subject of the documentary She is Juiced by British director Lois Norman. It was screened at Tate Modern in 2017 as part of the ground-breaking Queer Britain exhibition and the London Pride launch 2017.
In 2017 Hay began the ongoing project titled Persisters, large-scale portrait paintings representing contemporary, trailblazing women in their pursuit of justice. In 2019, a solo exhibition of the Persisters series was shown at The Provincetown Commons. Her portraits of Senator Elizabeth Warren and Vice President Kamala Harris were exhibited in the Provincetown Art Association and Museum in 2020 and 2021 respectively. In February 2022 Hay was selected as the Arts Foundation of Cape Cod’s inaugural Artist of the Year.
Hay currently lives and works in Provincetown MA.
Billie Jean King, 2023
Former world No. 1 tennis player
48 x 60 inches
Oil on canvas
“Natural talent only determines the limits of your athletic potential. It’s dedication and a willingness to discipline your life that makes you great.”
—Billie Jean King
Billie Jean King won 39 major titles: 12 in singles, 16 in women's doubles, and 11 in mixed doubles and is regarded by many as one of the greatest tennis players of all time.
Among her many accolades and achievements, in 1972, she was the first woman, to appear alongside John Wooden on the cover of Sports Illustrated for the Sportsman of the Year award. In 1973, at age 29, she won the "Battle of the Sexes" tennis match against the 55-year-old Bobby Riggs. In 1975 she was one of Time magazine’s Persons of the Year and she was inducted into the National Women's Hall of Fame in 1990. In 2006, the USTA National Tennis Center in New York City was renamed the USTA Billie Jean King National Tennis Center. In 2018, she won the BBC Sports Personality of the Year Lifetime Achievement Award and in 2020, the Federation Cup was renamed the Billie Jean King Cup in her honor. In 2022, she was awarded the French Legion of Honour. She has also received the Presidential Medal of Freedom
King became the first woman athlete to earn over US$100,000 in prize money; however, inequalities continued. King won the US Open in 1972 but received US$15,000 less than the men's champion Ilie Năstase. She stated that she would not play the next year if the prize money was not equal. In 1973, the US Open became the first major tournament to offer equal prize money for men and women.
Building on her tennis stardom to create social change, Billie Jean King has elevated the self-esteem of girls and women through her lifelong struggle for equality in the sports world. She was also the first prominent female professional athlete to come out as gay and has raised large sums to fight AIDS, contributed funds to combat homophobia in schools, and supported efforts to stem gay and lesbian teenage suicide rates. She and her wife Ilona Kloss have been in a relationship for over 40 years.
MONUMENTAL YARD SALE (Copy)
Fall is a great time for cleaning house! Provincetown businesses are welcome to market their offerings curbside and residents are encouraged to organize yard sales as part of the Monumental Yard Sale the weekend of October 12 - 14th.
The Commons studio artists and members plan to participate on Saturday, October 12, and Sunday, October 13 from 10 AM - 2 PM
MONUMENTAL YARD SALE
Fall is a great time for cleaning house! Provincetown businesses are welcome to market their offerings curbside and residents are encouraged to organize yard sales as part of the Monumental Yard Sale the weekend of October 12 - 14th.
The Commons studio artists and members plan to participate on Saturday, October 12, and Sunday, October 13 from 10 AM - 2 PM
"FLOW" PAINTINGS ON WOOD BY FRAN O'NEILL AT SPIRITUS
FRAN O’NEILL
FLOW
paintings on wood
AT SPIRITUS 190 COMMERCIAL STREET
OPEN RECEPTION: FRIDAY OCT. 11 | 5 PM - 7 PM
My artistic vision focuses on the connection between healing and energy. We are all energetic beings, and the wood grain in my art symbolizes this universal energy. The abstract shapes I incorporate represent the energy I channel into each piece. The shapes flow intuitively with my color choices to form a cohesive, dynamic composition. Wood itself contains energy since it was once living. When the wood grain emerges in my art, a new dimension is revealed. The abstract forms arise from a collective unconscious and integrate seamlessly with the natural wood texture. My goal is to create an intersection where the energy in the artwork, the wood, and the viewer all converge. I hope viewers will feel a resonance with the energy embedded in the artwork.
franoneillartist.com
@franionptown
KATHRYN LEE SMITH: CONTEMPORARY WHITE LINE PRINTS AND DRAWINGS
KATHRYN LEE SMITH
CONTEMPORARY WHITE LINE PRINTS AND DRAWINGS
On Exhibit: October 1 - October 13
Opening Reception: Friday, October 4, 4 - 6 pm
This exhibition is a survey of Smith’s white line prints over many decades and includes both representational and abstract imagery: florals, Provincetown images and abstracted constructs. Also included in this show are her lyrical sumi pen and ink nudes.
Please visit my website: www.kathrynleesmithwhitelineprints.com
And follow me on instagram: KLSprovincetownprints
If you’d like to contact me directly, please email me at ksmithart@verizon.net
KATHRYN LEE SMITH - Artist Biography
Contemporary white line master printmaker Kathryn Lee Smith has been making art for
her entire lifetime. She learned the white line printmaking method of single block color woodblock printmaking, developed in Provincetown in 1915, from her grandmother, the
artist Ferol Sibley Warthen, at the age of four. After a formal education in the arts, BA
from University of Maryland, further studies at Maryland Institute of Art, University of
Colorado in Boulder, Colorado State University and graduate studies at University of
Northern Colorado in Greeley, Smith returned to her roots in Provincetown and studied
further with her grandmother as a young adult. After five years of commuting to
Provincetown she decided to move here year-round and devote her career to the
process of white line prints, both developing her own work, exhibiting, teaching and lecturing on the process in many venues, including museums and galleries both at home and abroad. In 2003 Smith was selected to bring our American (and Provincetownian) woodcut process to Japan. She has received the lifetime award from Who’s who and has been included in their biographical publications since 2006 (Who’s who in American Education, America, Women and the World). Her work is represented in permanent private and museum collections in the US and internationally.
KATHRYN LEE SMITH – Artist Statement
My work draws heavily on the sense of a particular moment in time, whether that
moment is conveyed as a representational image or an abstraction. The formal
elements of the visual language give me the tools to transform the idea; the process of manipulating these elements to support the theme bring the idea into focus.
Forty five years of technical experience inform the execution of the process. And, over
time, the marks made have repeated themselves, forming their own iconology,
becoming their own unique signature.
The inherent warmth of the wood, the use of hand tools, the physicality of pulling the
print, all are a significant part of the process which plays a part in informing the final print.
Copyright Kathryn Lee Smith
SURFACES BY MARK BRENNAN AND ABRAHAM STORER
MARK BRENNAN AND ABRAHAM STORER
SURFACES
On Exhibit: October 1 - October 13
Opening Reception: Friday, October 4, 5 - 7pm
EXHIBITION STATEMENT
Surfaces brings together the artwork of Mark Brennan and Abraham Storer.
Mark Brennan presents his Space in a Box paintings. Measuring about a foot square, the pictures are extremely detailed oil paintings of the ocean. They portray the water and the sky in various weather conditions and times of day. The paintings, all on paper, are framed in deep wooden boxes. The boxes are made by the artist with assistance from woodworker Robert Mason in Brooklyn and are distressed, often with antique iron hardware, to evoke the wear and tear of the passage of time.
Abraham Storer lived for nine years in Israel, most of it in Jerusalem. During that time, he produced the Soil and Sky pictures, diptychs comprised of two identical panels. One is painted in atmospheric pastel tones suggestive of the sky. The other is an assemblage of rock and dirt. In each piece, the earth is taken from a specific place of historic or spiritual significance, which he gathered on site and glued to the panel. The works are titled after the location of the earthen matter.
Both artists are residents of Cape Cod, Massachusetts now and continue to draw spiritual inspiration from the natural environment around them. These two bodies of work share a strong affinity for each other: both series present a strong dichotomy between two near polar forces. One can easily infer a dialog between the immediate physical or earth bound nature of one element and the ethereal or spiritual nature of its opposite. In Brennan’s case, it is the vast expanse of the water trapped in the distressed wooden box like a soul encased in a body. With Storer, the two elements, the physicality of the soil and the celestial atmosphere of the painted half, appear as a side by side couple.
ARTIST BIOGRAPHIES
Mark Brennan lives in Brooklyn, New York and Wellfleet, Cape Cod, Mass. Stylistically he owes a debt to traditional East Asian painting in his elongated watercolors. His small pictures encased in boxes have affinities with an array of distinctly American artists; one can draw references to William Trost Richards, Martin Johnson Heade and John Frederick Kensett, to William Harnett and John Peto, Georgia O’Keeffe, Joseph Cornell and Vija Celmins. Like the early Hudson River School and many 20th Century abstract artists, he unapologetically experiments with altruistic and transcendent functions for art, both in his work and in his curatorial enterprises.
In the 1980s he participated in the florid East Village art scene while working for Andy Warhol in the Interview circulation department. Shortly before Warhol’s death, he suddenly abandoned both relationships to travel North America, living in the back of a station wagon. Upon his return to New York, he began teaching public school in District 9 (the poorest congressional district in the country) in the Bronx. A weekend activity, painting, gradually expanded into an avocation.
Recent projects include a solo show of his Space in a Box paintings at the Sheen Center for Thought and Culture and Islamic Art/Christian Space (curator) at the Church of St. Paul the Apostle, both in Manhattan, attempting to build bridges between two seemingly irreconcilable parties. The latter exhibit was the first ever show of Islamic artwork in an active Christian place of worship. He is a member of Openings Artists Collective in New York. On Cape Cod he showed his work at the Off Main Gallery in Wellfleet.
Abraham Storer strives to make paintings that appear simple and straight-forward, yet resonate with mystery and feeling. His landscape paintings depict observations of specific places around the world where he has lived and traveled, including Poland, Israel, New York and Cape Cod. Through the process of painting, he records external conditions, like weather and light, and the subjective sensibilities of his own thoughts, emotions, and spirituality.
His visual language uses flattened abstract shapes and emptiness to counter the deep, atmospheric space of the landscape. He facilitates between loose painterly gestures and more realistic rendering, allowing the paint to exist as both material and illusion, while his imagery depicts a landscape with abundant natural beauty yet impinged upon by human interventions. These tensions coalesce around a central concern about the relationship between materiality and transcendence.
Storer currently lives in Wellfleet, MA with his family. He has an MFA from Boston University, a BA from Brandeis University and attended the Skowhegan School of Painting and Sculpture. He has had recent solo exhibitions at Farm Projects (Wellfleet, MA) and Caldbeck Gallery (Rockland, ME). Honors include a Fulbright Fellowship to Israel and a residency through the Lower Manhattan Cultural Council on Governor’s Island in New York Harbor.
WILLIAMS 101
Our 19th season will turn to memory: fables, yarns, and revelations
September 26-29, 2024
Our fall line-up includes live performances of plays by Tennessee Williams including The Glass Menagerie, Something Cloudy Something Clear, Suddenly Last Summer, Green Eyes, Flight (adapted from a short story by Williams) and Tennessee Rising, a play about Tennessee Williams. We’ll also be screening In the Room Where He Waits, a gay horror film from Australia inspired by The Glass Menagerie.
Film, live music, video, and readings inspired by Tennessee Williams fill out the Festival’s four day roster, along with educational programming and parties to celebrate America’s great playwright.
2024 Festival Passes are now available for sale online now. The Carte Blanche Pass provides an all-access VIP experience, while the Flex Pass affords a more flexible menu across the full range of shows. The popular Festival Day Pass allows audience members to hop on a ferry from Boston in the morning, spend the day at the Festival, and return home the same night. Tickets for individual shows are also available.
WILLIAMS 201
Our 19th season will turn to memory: fables, yarns, and revelations
September 26-29, 2024
Our fall line-up includes live performances of plays by Tennessee Williams including The Glass Menagerie, Something Cloudy Something Clear, Suddenly Last Summer, Green Eyes, Flight (adapted from a short story by Williams) and Tennessee Rising, a play about Tennessee Williams. We’ll also be screening In the Room Where He Waits, a gay horror film from Australia inspired by The Glass Menagerie.
Film, live music, video, and readings inspired by Tennessee Williams fill out the Festival’s four day roster, along with educational programming and parties to celebrate America’s great playwright.
2024 Festival Passes are now available for sale online now. The Carte Blanche Pass provides an all-access VIP experience, while the Flex Pass affords a more flexible menu across the full range of shows. The popular Festival Day Pass allows audience members to hop on a ferry from Boston in the morning, spend the day at the Festival, and return home the same night. Tickets for individual shows are also available.
WILLIAMS 101
Our 19th season will turn to memory: fables, yarns, and revelations
September 26-29, 2024
Our fall line-up includes live performances of plays by Tennessee Williams including The Glass Menagerie, Something Cloudy Something Clear, Suddenly Last Summer, Green Eyes, Flight (adapted from a short story by Williams) and Tennessee Rising, a play about Tennessee Williams. We’ll also be screening In the Room Where He Waits, a gay horror film from Australia inspired by The Glass Menagerie.
Film, live music, video, and readings inspired by Tennessee Williams fill out the Festival’s four day roster, along with educational programming and parties to celebrate America’s great playwright.
2024 Festival Passes are now available for sale online now. The Carte Blanche Pass provides an all-access VIP experience, while the Flex Pass affords a more flexible menu across the full range of shows. The popular Festival Day Pass allows audience members to hop on a ferry from Boston in the morning, spend the day at the Festival, and return home the same night. Tickets for individual shows are also available.
EELGRASS STUDIO ARTISTS GROUP POTTERY SHOW
Eelgrass Pottery Studio
ON EXHIBIT: SEPTEMBER 17 - SEPTEMBER 29
OPENING RECEPTION: FRIDAY, SEPTEMBER 20 FROM 5 - 7 PM
Eelgrass Pottery Studio
The genesis of Eelgrass Studio, roughly twenty years ago, was a Council on Aging sponsored weekly ceramic workshop held by Gail Browne. After many productive seasons, the program was suspended due to building renovations. Many participants decided to continue and formed an independent studio, presently located at the Marspec warehouse off Route 6. Conceptually a co-op, Eelgrass is available on a 24-hour basis for members. All techniques are welcomed an supported to foster the creative spirit of all individuals.
Gail Browne
Gail Browne has been a Provincetown resident since the late 1960s. Always an artist, in the early 1960s. Gail experienced a personal loss and her artistic inspiration was at a standstill a friend suggested that she work in clay with Anne Lord. It was the perfect therapy for Gail, and still is. Her biggest challenge has been to conquer the idiosyncrasies of terre melee (mixed earth), technically a difficult melange of temperaments and qualities.
Holley
Holley started taking Gail’s pottery class at the COA in the winter of 2002 which then transitioned into the co-op. She’s been making flower pots, vases, and bowls that she loves to glaze with the crystal gems glazes cause “it pops!” Lately she has been exploring different forms and glazing techniques. She’s a retired barber and has loved Ptown ever since her wife first brought her here.
Gerry Brennan
Gerry Brennan is a local Provincetown artist. She began exploring her artistic side sketching while still residing in her home town of New York City. When she retired to the Cape over 20 years ago to her Provincetown home she began painting and working with clay. Since her return to her ceramics this year she has been enjoying creating her whimsical gnomes. Each one has its own individual way to bring smiles. She is so pleased to share them with you.
Wendy Allen
Truro-based potter, Wendy Allen, has been honing her skills for over 10 years, working in studios in New York, New Jersey and Oxford, England. She works in stoneware and porcelain in a variety of styles, using textures and layered glazes to create rich finishes. She takes pleasure in constantly exploring different techniques, while preferring objects that combine simple, beautiful form with functionality.
The destination of her work is always in mind as she creates, envisioning people gathering together using dishes made by her hand, lighting a table with her luminaries, or displaying flowers in one of her vases, and loves it when friends share a photo of her work “in the wild”, showing where it now lives. On instagram wendyallenpottery, or email at wendyallenpottery@gmail.com.
Thor Jensen
Thor Jensen is a Provincetown sculptor working with ceramics and mixed media. Using various sculpting carving and glazing techniques, he likes to create distinct and contrasting textures in his pieces. Always influenced by the natural world, his work explores marine biology, human and environment interactions, and spirituality. Working in ceramics and jewelry he enjoys bringing textiles and metal into the pottery while bringing ceramics into his jewelry designs. Eelgrass pottery studio has been such a welcoming and supportive place for him to get started as ceramicist here in town.
THERE'S STILL LIFE: ASSEMBLAGE ART FROM NATURE AND SHARED MEMORIES BY SUSAN CAYLEFF
THERE’S STILL LIFE: ASSEMBLAGE ART FROM NATURE AND SHARED MEMORIES BY S.E. “CAY” CAYLEFF
ON EXHIBIT: SEPTEMBER 17 - SEPTEMBER 29
OPENING RECEPTION: FRIDAY, SEPTEMBER 20 FROM 5 - 7 PM
Artist bio:
S.E. Cayleff’s assemblage art celebrates the beauty of found objects from nature and humanity. One-of-a-kind mixed media assemblages reflect her life-long love of animals, human history, and in some cases, her humor and social commentary.
Her studio, WILD THINGS, captures the natural and animal beauty central in her designs, emphasizing the deep connection between nature and humanity through many mediums–assemblages, mobiles, and paintings.
In her creative process, she gathers relics from both the natural world and the relics of society, highlighting how these objects preserve our memories and create stories. She culls the woods, beaches, mountains, deserts, and streets scavenging nature’s gifts: naturally-shed antlers, feathers, wood, bones, glass shards, rusted metal, and stunning ocean wash-ups. She also seeks architectural and industrial remnants and objects of daily life.
Prior to devoting herself full-time to her art, Cayleff was a university professor in Women’s Studies at San Diego State University (33 years) and the University of Texas Medical Branch (4 years). She was a committed LGBTQIA social justice activist at the universities and a mentor of inner-city youth; she was a scholar and author of six books, one of which was nominated for the Pulitzer Prize (Babe: The Life and Legend of Babe Didrikson Zaharias).
QUICK & DIRTY by Liz Collins
Liz Collins
“Quick & Dirty “
Sept 4-15
Opening reception Friday, Sept 6, 4 - 7 PM
Liz Collins presents her artwork at the Commons for the first time with a collection of brand-new prints and drawings produced in August at the Fowler Dune Shack and Fine Arts Work Center. Using her signature graphic and patterned imagery, Collins’ new works play with lightning, checkers, and other improvised elements on paper. A vivid and dynamic explosion of electric color, these works on paper are limited editions and priced accessibly.
COLOR AND LIGHT BY ALEX STADLER
COLOR AND LIGHT by Alex Stadler
On Exhibit: September 3 - September 15
Opening Reception: Friday, September 6 from 4 to 7
ARTIST BIO:
Alex Stadler is an artist, painter, author, illustrator, textile designer, ceramicist, and curator based in Provincetown, Massachusetts and Phippsburg, Maine.
Stadler has written and illustrated 10+ books for children and adults, and created public artwork and murals for Colette Paris, Reading Terminal Market and Comcast in Philadelphia, and Saks 5th Avenue's flagship store in New York City. As a textile designer, he has created his own line of knitted scarves and blankets, stadler-Kahn, and has collaborated with and designed for Comme des Garçons, Jack Lenor Larsen, GapKids, Todd Oldham, and Whoopi Goldberg.
At stadler-Kahn, his gallery/shop/design lab in Philadelphia, he produced numerous exhibits over a six-year period, featuring mid-career and emerging artists and designers.
In June of 2022, Stadler produced, directed and created work for a memorial and procession entitled Gone & For Ever, honoring the unclaimed of the early days of the AIDS crisis. This public work, created by a team of artists, composers and designers, was part of a larger initiative led by the William Way Community Center in Philadelphia and was funded through a grant from the Pew Center for Arts and Heritage.
Gone & For Ever is also the title of the short documentary about the project, completed in 2023.
Stadler currently shows paintings and ceramics with Kneeland & Co in Los Angeles
WORKS ON PAPER BY MAUREEN MCCARRON
WORKS ON PAPER by Maureen McCarron
On Exhibit: September 3 - September 15
Opening Reception: Friday, September 6, from 5 - 8 PM
ARTIST BIO:
I grew up in the US Army and lived in multiple States as well as Germany where the European experience enhanced my creativity. I have a BFA in Painting and Printmaking from Virginia Commonwealth University, and I attended classes at The New School of Social Research and Dieu Donne Papermill in New York City. While living in Manhattan for 35 years before moving to Cape Cod in 2010, my artwork was in numerous group and juried shows across the country and Europe. There have been two solo exhibits at Artspace in Richmond, VA and since leaving New York, my work has been shown in Provincetown at The Commons, the Adam Peck Gallery and the Garage Gallery as well as many group exhibits at the Provincetown Art Association Museum, including seven juried exhibitions.
IN MY GARDEN AT THE EDGE OF THE SEA BY ROWENA PERKINS
IN MY GARDEN AT THE EDGE OF THE SEA by Rowena Perkins
On Exhibit: September 3 - September 15
Opening Reception: Friday, September 6, 5-8 PM
Rowena Perkins
I make paintings on panels and paper. My landscape, still life, garden, and figurative paintings are inspired by the things that humans live with, inside and outside, in an objective, physical sense, as well as in the subjective ways of the soul.
The landscape images reveal the unforgettable, extreme tides, breathtaking sunrises and sunsets; the celebrated engagement with the layers of the land at the edges of the sea. Within these distinctive vistas, I explore the realms of hope and possibility; timeless and extraordinary moments of the natural world.
The still life, garden and floral images disclose the eternal, ever-present aspects of transformation and change, encapsulated in each brushstroke. The captivating stillness of home, calm and rejuvenating, lingers in my memories.
People impact their environment and vice-versa; life, death, and all their phenomena and manifestations. Whether I am painting the magnificent hues across the ocean and the bay, or the immediate colors of my surroundings, it is always about the transformative power of the painted mark. I want to draw out the expressiveness of the world within, discovering something new and exciting in the process.
THE GRANDE TOUR, JIMMY LEE'S FASHION SHOW
This event is free and open to the public. It is our way to bring everyone together to celebrate another season's passing and welcome the next with cheers and good spirits. Tickets do not guarantee seats on the train but can promise you a fabulous ride.
Le Grande Tour is passing through Provincetown, with 30 local artists sharing their favorite spots around Provincetown with you. These artworks will be auctioned off online. The auction goes live on Friday, August 23 at 9 AM and will close Friday, August 30 at 7 PM. These works will be on display at The Commons and online HERE. All proceeds will go towards The BWG “Benji” Fund, honoring the life and legacy of Benjamin Weinryb Grohsgal.
STILLNESS AT THE EDGE BY EMORY PETRACK
Herring Cove Winter Sunset
Stillness at the Edge By Emory Petrack
On exhibit: August 20 - September 1
Artist Reception on August 25, 3-5 PM
Artist Statement:
As a landscape and seascape photographer, my connection to nature is at the core of my artistic expression. Through my lens, I capture the sublime beauty of Cape Cod and New England, aiming to highlight the tranquil and majestic essence of these landscapes. Each image in this exhibit offers a sanctuary of calm, celebrating the natural worlds enduring beauty and providing a moment of respite amidst life’s challenges. Standing on a beach at sunrise or gazing at the dunes at sunset, I am reminded of nature’s stillness and grandeur, prompting a deeper appreciation for the world around us.
Photography, for me, extends beyond mere visual art—it is a medium of perspective and gratitude. Surrounded by the vastness of nature, personal concerns diminish, replaced by a sense of wonder and serenity. This exhibit showcases the calm and tranquil moments that have been my sanctuary through tough times. I share these images, hoping they might provide viewers with a similar sense of peace.
My work has been recognized and displayed through the Cape Cod Art Center, Tufts Medical Center, Outer Cape Health Services, Boston Camera Club, and other venues. With my background as a retired emergency physician working in chaotic surroundings, I create photographs that bring peace and serenity into everyday settings. My photography aims to transform both homes and healthcare environments, offering comfort and a tranquil refuge for everyone- from home dwellers to healthcare professionals and their patients.
Sunset at Skaket Beach
White Crest Beach Splendor
Birds Over Ptown Jetty
Herring Cove Joy
Skaket Beach Sunset
VALERIE ISAACS
Valerie Isaacs
On exhibit: August 20 - September 1
Artist Reception on August 25, 3-5 PM
Bio
Valerie Isaacs has been standing outside, painting, since 1989. She lived and exhibited in Spain, Charleston SC, and Cambridge MA before moving to Provincetown in 2017. She holds a BA in Architecture from Penn State, and studied Urban Design with the University of Washington in Rome. Isaacs trained in drawing and etching in Seville, in painting at the Fleisher Art Memorial (Philadelphia PA) and with Douglas Balentine (Charleston SC). She has taught drawing for beginners, figure drawing, and landscape painting to adults since 2010, and currently teaches at Castle Hill and Provincetown Art Association and Museum. Her landscape painting and figure work are an exploration of nature, the power of color, and abstraction within representational art.
ARTIST’S STATEMENT: LANDSCAPES
I paint to intensify the experience of being outdoors in the light and wind, watching nature closely as the sun moves across the sky. I’m painting to understand the lichen and beach plum, the sea and clouds, the pines. I strive for light veracity, rhythm, and precise spatial resolution. My practice is also one of abstraction and simplification. How does the geometry of this two-dimensional composition relate to the complicated natural phenomena I’m here to study? What colors express the gestalt of this subject? I’m interested in a tension between abstract summation and naturalistic representation.
Sunset at Skaket Beach
TEXTURES OF INTERIOR LIGHT BY REBECCA BRUYN
Light, Mood, Textures & Details a photographic exploration of space
at The Provincetown Commons
August 20 - September 1
Reception on August 25, 3-5 PM
Rebecca Bruyn – Textures of Interior Light
Artist Statement
Alternative photographer Rebecca Bruyn has crafted a compelling and diverse body of work over the past 30 years, merging her passion for landscapes, historical architecture, cyanotype printing, digital art, and gilding. Her imagery evokes a quiet sense of mystery, transporting viewers to another time and place.
Her latest work, “Texture of Interior Light” was captured with an iPhone 13 Pro Max and printed on translucent vellum. To make the images more engaging, she added silver or gold gilding to the back of each photo, creating a touch of luminescence. This is the first time she has exhibited this new method.
For the past seven years, she has taught “The Art of iPhoneography” at venues such as Truro Center for the Arts at Castle Hill, Provincetown Art Association & Museum (PAAM), and The New Art Center in Newton, MA, as well as private gatherings. Her photography has been showcased in various exhibitions, including a recent show at PAAM in 2022 titled “Out of the Blue,” featuring works by her and two other cyanotype artists.
Based in Truro, Bruyn continually explores innovative ways to transform traditional photography. Her cyanotypes are represented by The Cortile Gallery in Provincetown and Cottage Cape Cod in Orleans. More of her work can be found at www.rebeccabruyn.com or on Instagram @rebeccabruyn.
MOTHER SON PLAY BY JEFFREY SOLOMON
MOTHER / SON … BY JEFFREY SOLOMON
ONE NIGHT PERFORMANCE: THURSDAY, AUGUST 15 AT 5:30
The Community Room at The Commons
46 Bradford Street
Provincetown, MA
Jeffrey Solomon’s acclaimed hit returns to Provincetown for one performance only! Mother/Son a fundraiser for Gay Sons and Mothers and the AIDS Support Group of Cape Cod hosted by the Provincetown Commons.
*Suggested Donation of $25
Jeffrey Solomon's semi-autobiographical solo play depicting a mother and son's evolving relationship as they navigate the coming out journey has been hailed by critics across the country as funny, poignant, powerful and tender. Mr. Solomon plays the dual roles of mother and son in a performance the Chicago Tribune calls "powerfully personal, yet universal as family values."
In his internationally acclaimed one-man show New York Jewish writer/performer Jeffrey Solomon plays both a son and the mother who struggles to accept his sexual orientation, tracing her transformation from shell-shocked parent to the mom at the front of the Pride Parade.
CAPE NOIR BY ELISE KAUFMAN
CAPE NOIR BY ELISE KAUFMAN
ON EXHIBIT: AUGUST 6 - AUGUST 18
OPENING RECEPTION: Friday, August 9 from 6 - 8 PM
ARTIST STATEMENT
My recent photographs of Provincetown explore the spaces between light and dark, movement, atmosphere, and texture to evoke souvenir and memento. In a town where there are so many present and it can be difficult to find quiet spaces, I prefer to express “presence” in other ways: through landscape, architecture, by objects that have been left behind, and especially through “absence.” Regardless of whether I am working with photography or other media, I am particularly interested in the unexpected, material of media, and exploring remembrance.
Artist’s Bio:
Elise Kaufman is a multi-disciplinary artist and educator working in a variety of modalities which includes photography and photo-based processes, as well as printmaking, drawing and painting. Recent experimentations have extended her practice to explore narrative, time and the nature of memory. She has exhibited her work in New York City, Provincetown (MA), and Ireland and her work is included in public and private collections including The Arkansas Art Museum, The Ballinglen Art Museum (Ireland), The Boise Art Museum, The Brooklyn Museum of Art, The Delaware Art Museum, The Fogg Art Museum (Harvard University), and The Weatherspoon Art Gallery Kaufman is a Professor of Art at Pratt Institute and lives and works in Provincetown, MA and Brooklyn, New York.
MANIFEST BY ROBERT ADAMCIK
#376. A Calling - Mixed Media - 25 x 22
MANIFEST BY ROBERT ADAMCIK
ON EXHIBIT: AUGUST 6 - AUGUST 18
OPENING RECEPTION: Friday, August 9 from 6 - 8 PM
#378. Anna’s Rose - Mixed Media - 25 x 22
RADIANT LIGHT SANCTUARY
RADIANT LIGHT SANCTUARY BY MYRA KOOY
ON EXHIBIT: AUGUST 6 - AUGUST 18
OPENING RECEPTION: Friday, August 16
“Radiant Light Sanctuary is a restorative space, a place where people can find themselves,” Cultural motifs cover the support towers, which resemble totem poles with cutouts. These motifs have paid tribute to abolitionists and social activists.
The space both stimulates and relaxes the body. The viewer walks between painted tar paper and rubber walls and tar and rubber cutout totems lit from the inside with colorful yet soothing neon lights. The painting series “In the Light of Love” consists of canvases and rubber with painted messages and neon lights.
Kooy received her Master of Fine Arts degree from City College in Harlem, and her creations have been shown in numerous galleries. In addition to the AFCC’s Capacity-Building Grant Program, she has participated in artist residencies.
Panel Discussion: Mike Carroll - What is an Artist?
Panel Discussion: Mike Carroll - What is an Artist?
Presenter: Mike Carroll
Venue: Provincetown Art Association and Museum
Date: July 31, 2024 at 6pm
A nod to the program opener for Forum 49 was a discussion “What is an artist?” lead by George Biddle, Hans Hofmann, Adolph Gottlieb, and Serge Chermayeff.
First come first served. Free for PAAM members and $15 for non-members.